Redolent of free-standing dioramas, new sculptures of foraged natural materials coalesce with works on paper in danish artist Rasmus Myrup’s first institutional solo exhibition in Germany, ‘Vertreibzeit’. His installations—formed with earth, stones, moss, twigs, leaves and branches from the mixed deciduous forests of Denmark and Göttingen’s woodlands—probe knowledge forms and the essence of being human. ‘Vertreibzeit’ situates nature as both the earliest and most enduring human experience of space.