Kategorie Ausstellungseröffnung
Juni
TERRA DIASPORA – Actives Terrain N°2 "Collapse is not a destination, it is a process" Julius von Bismarck, Julian Charrière, Marjolijn Dijkman, Raphaël Fischer-Dieskau, Andreas Greiner, Robert Gschwantner, Spiros Hadjidjanos, Kapwani Kiwanga, Almut
TERRA DIASPORA – Actives Terrain N°2
“Collapse is not a destination, it is a process”
Julius von Bismarck, Julian Charrière, Marjolijn Dijkman, Raphaël Fischer-Dieskau,
Andreas Greiner, Robert Gschwantner, Spiros Hadjidjanos, Kapwani Kiwanga,
Almut Linde, Ulrike Mohr, Mazenett Quiroga, Marike Schuurman, Raul Walch
curated by Dr. Almut Hüfler and Stephan Klee
PROGRAMME
Fri 13 Jun 5 – 8 pm
Vernissage – Opening Reception with
– 5 pm: Welcome speeches
– 5 pm: Release of the new Edition by Spiros Hadjidjanos
Sat 14 Jun 3 – 10 pm
Pro City Nacht der Kultur
– 3 pm: Guided tour with the curators
– 5 pm: Talk with Dr. Almut Hüfler,
Prof. Dr. Almut Linde and Dr. Didem Aydurmus
Sun 22 Jun / Sun 06 Jul /
Sun 20 Jul / Sun 03 Aug
each at 3 pm
Sunday tour with Joos Ziegler
Sun 24 Aug 3 – 5 pm
Finissage – Closure
– 3 pm Panel Talk
To enable us to plan better, we would be delighted to receive your reservations for individual programme items at info@kunstvereingoettingen.de or klee@kunstvereingoettingen.de or by telephone on 0551-44899
Event image: Graphic by Stephan Klee, all rights reserved by the author and frontviews
In the second year of TERRA DIASPORA, the central group exhibition Active Terrain N°2 brings together thirteen artistic positions in Göttingen’s Old Town Hall. The works on display, executed in various media such as sculpture, photography, drawing and video, all deal with the discrepancy between the ecological crisis of our planet and how people perceive it. In view of the magnitude and often great distance of human intervention and its consequences over a long period of time, this crisis can be recognised as an acute danger: This is because the complexity of these processes undermines the evolutionarily determined human response options to dangers, so that necessary countermeasures are repeatedly ‘postponed’ in the face of acute emergency situations such as wars, economic crises, etc. As a result, ecological collapse is already taking place without humanity being able to respond adequately. Or as Ugo Bardi, member of the Club of Rome, put it in 2022: ‘Collapse is not a destination, it is a process “*
The exhibition picks up on this phenomenon with a walk-in field of exhibition installations and makes these developments directly tangible – using the example of the two thematic areas ‘Processes in the forest’ and ‘Processes in the soil’. This is essentially made possible by the close connection of the works to real transformation processes from many globally distributed terrains: not only are the relevant places and their changes shown visually and acoustically, but often the affected, original material itself is also used artistically in real in the gallery space, so that the works shown can offer a material translation of external geological-industrial processes.
Like the mineral trickling of an hourglass, the artistic settings make a dilemma of the capitalist growth paradigm and the implications of our lifestyle directly and sensually comprehensible: That the long-term effects of short-term profitable productions are already going on tirelessly underground, but are not adequately incorporated into the planning and actions of the economy. The collected works as a whole become a polyphonic canon of consumption with a real core and the exhibition unfolds as an activated cabinet of curiosities of the urgent ecological upheavals of modern times in a fortified merchant guild house from the High Middle Ages.
*Quote: Ugo Bardi in ‘Limits and Beyond: 50 years on from The Limits to Growth, what did we learn and what’s next?’, 2022
-
- Marjolijn Dijkman “Cloud to Ground”, 2021, resin, fulgurite, aluminium board 30 x 30 x 20 cm and Marjolijn Dijkman “Earthing Discharge” (#1 + #2), 2019, framed C-print on paper, 110 x 90 cm
-
- Raphaël Fischer-Dieskau “Concerto for extinct birds”, 2024, walnut, spruce, speaker, cable, electronics, 210 x 210 x 25 cm
-
- Raphaël Fischer-Dieskau “Concerto for extinct birds”, 2024, walnut, spruce, speaker, cable, electronics, 210 x 210 x 25 cm
-
- Raphaël Fischer-Dieskau “Concerto for extinct birds” (detail), 2024, walnut, spruce, speaker, cable, electronics, 210 x 210 x 25 cm
-
- Ulrike Mohr “Sheltered (Nest)”, 2024, ceramic and carbonized wood, 85 x 30 x 110 cm, Installation with distilled smoke scent
-
- Ulrike Mohr “Sheltered (Nest)”, 2024, ceramic and carbonized wood, 85 x 30 x 110 cm, Installation with distilled smoke scent
-
- Ulrike Mohr “Sheltered (Nest)” (detail), 2024, ceramic and carbonized wood, 85 x 30 x 110 cm, Installation with distilled smoke scent
-
- “Collapse is not a Destination”, exhibition view: front: Ulrike Mohr, left: Spiros Hadjidjanos, back: Andreas Greiner
-
- Spiros Hadjidjanos Unfolded, 2019 Pine (Charred) Part I: 174 x 24,5 x 15 cm – Part II: 183 x 39,5 x 0,5 cm
-
- Spiros Hadjidjanos K_enn_ecot_t, 2021 Bronze Cast 52.4 x 41 x 6.4 cm Installed with K_enn_ecot Pre-Cast, 2021
-
- Spiros Hadjidjanos “K_enn_ecot_t”, 2021 Bronze Cast 52.4 x 41 x 6.4 cm, Installed with “K_enn_ecot” Pre-Cast, 2021
-
- Robert Gschwantner “North Beach Collection V”(detail) , 2023, PVC tubes, seawater, sand, plastic particles, 220×100 cm
-
- Robert Gschwantner North Beach, 2021 Collection II, PVC tubes, seawater, sand, plastic particles, folded 95x70cm
-
- Robert Gschwantner “North Beach” (detail), 2021 Collection II, PVC tubes, seawater, sand, plastic particles, folded 95x70cm
-
- Robert Gschwantner “ERIKA0065” (detail) , 2000, PVC tubes, oil: TOTAL ALTIGRADE GP & ELF 2T, 50x85cm
-
- Almut Linde “DIRTY MINIMAL #88.1 MINIMALIZED DIRT SQUARE/ GORLEBEN”, 2014 Salt, 200 x 200 cm and Almut Linde “DIRTY MINIMAL #88.2 – CAVE”, 2014, Light-jet Print, 120 x 180 cm
-
- Mazenett Quiroga “Roots of the Sky”, 2024, 9 digital prints on cotton paper Hahnemühle, covered with gold leaf 24K, 59 x 47 cm each
-
- Mazenett Quiroga “Roots of the Sky” (detail), 2024, 9 digital prints on cotton paper Hahnemühle, covered with gold leaf 24K, 59 x 47 cm each
-
- Mazenett Quiroga Gente Serpiente (Snake people), 2019-2023 2 Bicycle tires and Acrylics 2 Branches, bronze 2 x 60 cm, 2 x 25 x 14 cm
-
- Mazenett Quiroga “Gente Serpiente” (Snake people), 2019-2023, 2 Bicycle tires and Acrylics Branch, bronze 2 x 60 cm, 25 x 14 cm
-
- Marike Schuurman “Merzdorf 1400 – 1979, Kohle”, 2017 Inkjetprint of reclaimed negatives on aluminium 48 x 36 cm
-
- Marike Schuurman “Bergheider See 3-PH3, Toxic”, 2022, Inkjetprint on aluminium, framed in plexiglass box, 104 x 85 cm
-
- Marike Schuurman “Bergheider See 3-PH3, Toxic” (detail), 2022, Inkjetprint on aluminium, framed in plexiglass box, 104 x 85 cm
The annual programme 2025
TERRA DIASPORA – ACTIVE TERRAINS
TERRA DIASPORA is the leitmotif of the Kunstverein Göttingen 2024–2025. In view of fundamental upheavals in the coexistence of nature and mankind, TERRA DIASPORA stands for a world on the move; for a terrain that is becoming increasingly alien to its inhabitants and for an earth on which people are becoming foreign bodies. It is an earth in a foreign land, a terra diaspora.
After the first part of the TERRA DIASPORA – WELTEN WANDELN programme series in 2024 explored contemporary forms of fantastic, figurative art, TERRA DIASPORA – ACTIVE TERRAINS is the Kunstverein’s current motto for 2025. As the second part of the comprehensive TERRA DIASPORA exhibition series, the fundamental distortions in the relationship between nature and man in our present day are shown and discussed here using real geographical case studies and the creative reaction of artists to precisely these conditions in Göttingen. This annual programme is also developed and supervised by curator Stephan Klee together with the participating artists and related curators.
We would like to thank our sponsors: Niedersächsische Sparkassen Stiftung, Sparkasse Göttingen, Niedersächsisches Ministerium für Wissenschaft und Kultur, Stadt Göttingen, and Landschaftsverband Südniedersachsen e.V.
Datum
13. Juni (Freitag) - 24. August (Sonntag)
Veranstaltungsort
Kunstverein Göttingen im Alten Rathaus
Markt 9 | 37073 Göttingen
Öffnungszeiten
Tuesday – Sunday 11 am – 5 pm
Juli
TERRA DIASPORA – Actives Terrain N°2 "Collapse is not a destination, it is a process" Julius von Bismarck, Julian Charrière, Marjolijn Dijkman, Raphaël Fischer-Dieskau, Andreas Greiner, Robert Gschwantner, Spiros Hadjidjanos, Kapwani Kiwanga, Almut
TERRA DIASPORA – Actives Terrain N°2
“Collapse is not a destination, it is a process”
Julius von Bismarck, Julian Charrière, Marjolijn Dijkman, Raphaël Fischer-Dieskau,
Andreas Greiner, Robert Gschwantner, Spiros Hadjidjanos, Kapwani Kiwanga,
Almut Linde, Ulrike Mohr, Mazenett Quiroga, Marike Schuurman, Raul Walch
curated by Dr. Almut Hüfler and Stephan Klee
PROGRAMME
Fri 13 Jun 5 – 8 pm
Vernissage – Opening Reception with
– 5 pm: Welcome speeches
– 5 pm: Release of the new Edition by Spiros Hadjidjanos
Sat 14 Jun 3 – 10 pm
Pro City Nacht der Kultur
– 3 pm: Guided tour with the curators
– 5 pm: Talk with Dr. Almut Hüfler,
Prof. Dr. Almut Linde and Dr. Didem Aydurmus
Sun 22 Jun / Sun 06 Jul /
Sun 20 Jul / Sun 03 Aug
each at 3 pm
Sunday tour with Joos Ziegler
Sun 24 Aug 3 – 5 pm
Finissage – Closure
– 3 pm Panel Talk
To enable us to plan better, we would be delighted to receive your reservations for individual programme items at info@kunstvereingoettingen.de or klee@kunstvereingoettingen.de or by telephone on 0551-44899
Event image: Graphic by Stephan Klee, all rights reserved by the author and frontviews
In the second year of TERRA DIASPORA, the central group exhibition Active Terrain N°2 brings together thirteen artistic positions in Göttingen’s Old Town Hall. The works on display, executed in various media such as sculpture, photography, drawing and video, all deal with the discrepancy between the ecological crisis of our planet and how people perceive it. In view of the magnitude and often great distance of human intervention and its consequences over a long period of time, this crisis can be recognised as an acute danger: This is because the complexity of these processes undermines the evolutionarily determined human response options to dangers, so that necessary countermeasures are repeatedly ‘postponed’ in the face of acute emergency situations such as wars, economic crises, etc. As a result, ecological collapse is already taking place without humanity being able to respond adequately. Or as Ugo Bardi, member of the Club of Rome, put it in 2022: ‘Collapse is not a destination, it is a process “*
The exhibition picks up on this phenomenon with a walk-in field of exhibition installations and makes these developments directly tangible – using the example of the two thematic areas ‘Processes in the forest’ and ‘Processes in the soil’. This is essentially made possible by the close connection of the works to real transformation processes from many globally distributed terrains: not only are the relevant places and their changes shown visually and acoustically, but often the affected, original material itself is also used artistically in real in the gallery space, so that the works shown can offer a material translation of external geological-industrial processes.
Like the mineral trickling of an hourglass, the artistic settings make a dilemma of the capitalist growth paradigm and the implications of our lifestyle directly and sensually comprehensible: That the long-term effects of short-term profitable productions are already going on tirelessly underground, but are not adequately incorporated into the planning and actions of the economy. The collected works as a whole become a polyphonic canon of consumption with a real core and the exhibition unfolds as an activated cabinet of curiosities of the urgent ecological upheavals of modern times in a fortified merchant guild house from the High Middle Ages.
*Quote: Ugo Bardi in ‘Limits and Beyond: 50 years on from The Limits to Growth, what did we learn and what’s next?’, 2022
-
- Marjolijn Dijkman “Cloud to Ground”, 2021, resin, fulgurite, aluminium board 30 x 30 x 20 cm and Marjolijn Dijkman “Earthing Discharge” (#1 + #2), 2019, framed C-print on paper, 110 x 90 cm
-
- Raphaël Fischer-Dieskau “Concerto for extinct birds”, 2024, walnut, spruce, speaker, cable, electronics, 210 x 210 x 25 cm
-
- Raphaël Fischer-Dieskau “Concerto for extinct birds”, 2024, walnut, spruce, speaker, cable, electronics, 210 x 210 x 25 cm
-
- Raphaël Fischer-Dieskau “Concerto for extinct birds” (detail), 2024, walnut, spruce, speaker, cable, electronics, 210 x 210 x 25 cm
-
- Ulrike Mohr “Sheltered (Nest)”, 2024, ceramic and carbonized wood, 85 x 30 x 110 cm, Installation with distilled smoke scent
-
- Ulrike Mohr “Sheltered (Nest)”, 2024, ceramic and carbonized wood, 85 x 30 x 110 cm, Installation with distilled smoke scent
-
- Ulrike Mohr “Sheltered (Nest)” (detail), 2024, ceramic and carbonized wood, 85 x 30 x 110 cm, Installation with distilled smoke scent
-
- “Collapse is not a Destination”, exhibition view: front: Ulrike Mohr, left: Spiros Hadjidjanos, back: Andreas Greiner
-
- Spiros Hadjidjanos Unfolded, 2019 Pine (Charred) Part I: 174 x 24,5 x 15 cm – Part II: 183 x 39,5 x 0,5 cm
-
- Spiros Hadjidjanos K_enn_ecot_t, 2021 Bronze Cast 52.4 x 41 x 6.4 cm Installed with K_enn_ecot Pre-Cast, 2021
-
- Spiros Hadjidjanos “K_enn_ecot_t”, 2021 Bronze Cast 52.4 x 41 x 6.4 cm, Installed with “K_enn_ecot” Pre-Cast, 2021
-
- Robert Gschwantner “North Beach Collection V”(detail) , 2023, PVC tubes, seawater, sand, plastic particles, 220×100 cm
-
- Robert Gschwantner North Beach, 2021 Collection II, PVC tubes, seawater, sand, plastic particles, folded 95x70cm
-
- Robert Gschwantner “North Beach” (detail), 2021 Collection II, PVC tubes, seawater, sand, plastic particles, folded 95x70cm
-
- Robert Gschwantner “ERIKA0065” (detail) , 2000, PVC tubes, oil: TOTAL ALTIGRADE GP & ELF 2T, 50x85cm
-
- Almut Linde “DIRTY MINIMAL #88.1 MINIMALIZED DIRT SQUARE/ GORLEBEN”, 2014 Salt, 200 x 200 cm and Almut Linde “DIRTY MINIMAL #88.2 – CAVE”, 2014, Light-jet Print, 120 x 180 cm
-
- Mazenett Quiroga “Roots of the Sky”, 2024, 9 digital prints on cotton paper Hahnemühle, covered with gold leaf 24K, 59 x 47 cm each
-
- Mazenett Quiroga “Roots of the Sky” (detail), 2024, 9 digital prints on cotton paper Hahnemühle, covered with gold leaf 24K, 59 x 47 cm each
-
- Mazenett Quiroga Gente Serpiente (Snake people), 2019-2023 2 Bicycle tires and Acrylics 2 Branches, bronze 2 x 60 cm, 2 x 25 x 14 cm
-
- Mazenett Quiroga “Gente Serpiente” (Snake people), 2019-2023, 2 Bicycle tires and Acrylics Branch, bronze 2 x 60 cm, 25 x 14 cm
-
- Marike Schuurman “Merzdorf 1400 – 1979, Kohle”, 2017 Inkjetprint of reclaimed negatives on aluminium 48 x 36 cm
-
- Marike Schuurman “Bergheider See 3-PH3, Toxic”, 2022, Inkjetprint on aluminium, framed in plexiglass box, 104 x 85 cm
-
- Marike Schuurman “Bergheider See 3-PH3, Toxic” (detail), 2022, Inkjetprint on aluminium, framed in plexiglass box, 104 x 85 cm
The annual programme 2025
TERRA DIASPORA – ACTIVE TERRAINS
TERRA DIASPORA is the leitmotif of the Kunstverein Göttingen 2024–2025. In view of fundamental upheavals in the coexistence of nature and mankind, TERRA DIASPORA stands for a world on the move; for a terrain that is becoming increasingly alien to its inhabitants and for an earth on which people are becoming foreign bodies. It is an earth in a foreign land, a terra diaspora.
After the first part of the TERRA DIASPORA – WELTEN WANDELN programme series in 2024 explored contemporary forms of fantastic, figurative art, TERRA DIASPORA – ACTIVE TERRAINS is the Kunstverein’s current motto for 2025. As the second part of the comprehensive TERRA DIASPORA exhibition series, the fundamental distortions in the relationship between nature and man in our present day are shown and discussed here using real geographical case studies and the creative reaction of artists to precisely these conditions in Göttingen. This annual programme is also developed and supervised by curator Stephan Klee together with the participating artists and related curators.
We would like to thank our sponsors: Niedersächsische Sparkassen Stiftung, Sparkasse Göttingen, Niedersächsisches Ministerium für Wissenschaft und Kultur, Stadt Göttingen, and Landschaftsverband Südniedersachsen e.V.
Datum
13. Juni (Freitag) - 24. August (Sonntag)
Veranstaltungsort
Kunstverein Göttingen im Alten Rathaus
Markt 9 | 37073 Göttingen
Öffnungszeiten
Tuesday – Sunday 11 am – 5 pm
August
TERRA DIASPORA – Actives Terrain N°2 "Collapse is not a destination, it is a process" Julius von Bismarck, Julian Charrière, Marjolijn Dijkman, Raphaël Fischer-Dieskau, Andreas Greiner, Robert Gschwantner, Spiros Hadjidjanos, Kapwani Kiwanga, Almut
TERRA DIASPORA – Actives Terrain N°2
“Collapse is not a destination, it is a process”
Julius von Bismarck, Julian Charrière, Marjolijn Dijkman, Raphaël Fischer-Dieskau,
Andreas Greiner, Robert Gschwantner, Spiros Hadjidjanos, Kapwani Kiwanga,
Almut Linde, Ulrike Mohr, Mazenett Quiroga, Marike Schuurman, Raul Walch
curated by Dr. Almut Hüfler and Stephan Klee
PROGRAMME
Fri 13 Jun 5 – 8 pm
Vernissage – Opening Reception with
– 5 pm: Welcome speeches
– 5 pm: Release of the new Edition by Spiros Hadjidjanos
Sat 14 Jun 3 – 10 pm
Pro City Nacht der Kultur
– 3 pm: Guided tour with the curators
– 5 pm: Talk with Dr. Almut Hüfler,
Prof. Dr. Almut Linde and Dr. Didem Aydurmus
Sun 22 Jun / Sun 06 Jul /
Sun 20 Jul / Sun 03 Aug
each at 3 pm
Sunday tour with Joos Ziegler
Sun 24 Aug 3 – 5 pm
Finissage – Closure
– 3 pm Panel Talk
To enable us to plan better, we would be delighted to receive your reservations for individual programme items at info@kunstvereingoettingen.de or klee@kunstvereingoettingen.de or by telephone on 0551-44899
Event image: Graphic by Stephan Klee, all rights reserved by the author and frontviews
In the second year of TERRA DIASPORA, the central group exhibition Active Terrain N°2 brings together thirteen artistic positions in Göttingen’s Old Town Hall. The works on display, executed in various media such as sculpture, photography, drawing and video, all deal with the discrepancy between the ecological crisis of our planet and how people perceive it. In view of the magnitude and often great distance of human intervention and its consequences over a long period of time, this crisis can be recognised as an acute danger: This is because the complexity of these processes undermines the evolutionarily determined human response options to dangers, so that necessary countermeasures are repeatedly ‘postponed’ in the face of acute emergency situations such as wars, economic crises, etc. As a result, ecological collapse is already taking place without humanity being able to respond adequately. Or as Ugo Bardi, member of the Club of Rome, put it in 2022: ‘Collapse is not a destination, it is a process “*
The exhibition picks up on this phenomenon with a walk-in field of exhibition installations and makes these developments directly tangible – using the example of the two thematic areas ‘Processes in the forest’ and ‘Processes in the soil’. This is essentially made possible by the close connection of the works to real transformation processes from many globally distributed terrains: not only are the relevant places and their changes shown visually and acoustically, but often the affected, original material itself is also used artistically in real in the gallery space, so that the works shown can offer a material translation of external geological-industrial processes.
Like the mineral trickling of an hourglass, the artistic settings make a dilemma of the capitalist growth paradigm and the implications of our lifestyle directly and sensually comprehensible: That the long-term effects of short-term profitable productions are already going on tirelessly underground, but are not adequately incorporated into the planning and actions of the economy. The collected works as a whole become a polyphonic canon of consumption with a real core and the exhibition unfolds as an activated cabinet of curiosities of the urgent ecological upheavals of modern times in a fortified merchant guild house from the High Middle Ages.
*Quote: Ugo Bardi in ‘Limits and Beyond: 50 years on from The Limits to Growth, what did we learn and what’s next?’, 2022
-
- Marjolijn Dijkman “Cloud to Ground”, 2021, resin, fulgurite, aluminium board 30 x 30 x 20 cm and Marjolijn Dijkman “Earthing Discharge” (#1 + #2), 2019, framed C-print on paper, 110 x 90 cm
-
- Raphaël Fischer-Dieskau “Concerto for extinct birds”, 2024, walnut, spruce, speaker, cable, electronics, 210 x 210 x 25 cm
-
- Raphaël Fischer-Dieskau “Concerto for extinct birds”, 2024, walnut, spruce, speaker, cable, electronics, 210 x 210 x 25 cm
-
- Raphaël Fischer-Dieskau “Concerto for extinct birds” (detail), 2024, walnut, spruce, speaker, cable, electronics, 210 x 210 x 25 cm
-
- Ulrike Mohr “Sheltered (Nest)”, 2024, ceramic and carbonized wood, 85 x 30 x 110 cm, Installation with distilled smoke scent
-
- Ulrike Mohr “Sheltered (Nest)”, 2024, ceramic and carbonized wood, 85 x 30 x 110 cm, Installation with distilled smoke scent
-
- Ulrike Mohr “Sheltered (Nest)” (detail), 2024, ceramic and carbonized wood, 85 x 30 x 110 cm, Installation with distilled smoke scent
-
- “Collapse is not a Destination”, exhibition view: front: Ulrike Mohr, left: Spiros Hadjidjanos, back: Andreas Greiner
-
- Spiros Hadjidjanos Unfolded, 2019 Pine (Charred) Part I: 174 x 24,5 x 15 cm – Part II: 183 x 39,5 x 0,5 cm
-
- Spiros Hadjidjanos K_enn_ecot_t, 2021 Bronze Cast 52.4 x 41 x 6.4 cm Installed with K_enn_ecot Pre-Cast, 2021
-
- Spiros Hadjidjanos “K_enn_ecot_t”, 2021 Bronze Cast 52.4 x 41 x 6.4 cm, Installed with “K_enn_ecot” Pre-Cast, 2021
-
- Robert Gschwantner “North Beach Collection V”(detail) , 2023, PVC tubes, seawater, sand, plastic particles, 220×100 cm
-
- Robert Gschwantner North Beach, 2021 Collection II, PVC tubes, seawater, sand, plastic particles, folded 95x70cm
-
- Robert Gschwantner “North Beach” (detail), 2021 Collection II, PVC tubes, seawater, sand, plastic particles, folded 95x70cm
-
- Robert Gschwantner “ERIKA0065” (detail) , 2000, PVC tubes, oil: TOTAL ALTIGRADE GP & ELF 2T, 50x85cm
-
- Almut Linde “DIRTY MINIMAL #88.1 MINIMALIZED DIRT SQUARE/ GORLEBEN”, 2014 Salt, 200 x 200 cm and Almut Linde “DIRTY MINIMAL #88.2 – CAVE”, 2014, Light-jet Print, 120 x 180 cm
-
- Mazenett Quiroga “Roots of the Sky”, 2024, 9 digital prints on cotton paper Hahnemühle, covered with gold leaf 24K, 59 x 47 cm each
-
- Mazenett Quiroga “Roots of the Sky” (detail), 2024, 9 digital prints on cotton paper Hahnemühle, covered with gold leaf 24K, 59 x 47 cm each
-
- Mazenett Quiroga Gente Serpiente (Snake people), 2019-2023 2 Bicycle tires and Acrylics 2 Branches, bronze 2 x 60 cm, 2 x 25 x 14 cm
-
- Mazenett Quiroga “Gente Serpiente” (Snake people), 2019-2023, 2 Bicycle tires and Acrylics Branch, bronze 2 x 60 cm, 25 x 14 cm
-
- Marike Schuurman “Merzdorf 1400 – 1979, Kohle”, 2017 Inkjetprint of reclaimed negatives on aluminium 48 x 36 cm
-
- Marike Schuurman “Bergheider See 3-PH3, Toxic”, 2022, Inkjetprint on aluminium, framed in plexiglass box, 104 x 85 cm
-
- Marike Schuurman “Bergheider See 3-PH3, Toxic” (detail), 2022, Inkjetprint on aluminium, framed in plexiglass box, 104 x 85 cm
The annual programme 2025
TERRA DIASPORA – ACTIVE TERRAINS
TERRA DIASPORA is the leitmotif of the Kunstverein Göttingen 2024–2025. In view of fundamental upheavals in the coexistence of nature and mankind, TERRA DIASPORA stands for a world on the move; for a terrain that is becoming increasingly alien to its inhabitants and for an earth on which people are becoming foreign bodies. It is an earth in a foreign land, a terra diaspora.
After the first part of the TERRA DIASPORA – WELTEN WANDELN programme series in 2024 explored contemporary forms of fantastic, figurative art, TERRA DIASPORA – ACTIVE TERRAINS is the Kunstverein’s current motto for 2025. As the second part of the comprehensive TERRA DIASPORA exhibition series, the fundamental distortions in the relationship between nature and man in our present day are shown and discussed here using real geographical case studies and the creative reaction of artists to precisely these conditions in Göttingen. This annual programme is also developed and supervised by curator Stephan Klee together with the participating artists and related curators.
We would like to thank our sponsors: Niedersächsische Sparkassen Stiftung, Sparkasse Göttingen, Niedersächsisches Ministerium für Wissenschaft und Kultur, Stadt Göttingen, and Landschaftsverband Südniedersachsen e.V.
Datum
13. Juni (Freitag) - 24. August (Sonntag)
Veranstaltungsort
Kunstverein Göttingen im Alten Rathaus
Markt 9 | 37073 Göttingen
Öffnungszeiten
Tuesday – Sunday 11 am – 5 pm