Juli 2026
The Professur Materialität des Wissens (Chair of Materiality of Knowledge) at the University of Göttingen and the Kunstverein Göttingen present in cooperation as part of the “Art from Collections” series:
The Professur Materialität des Wissens (Chair of Materiality of Knowledge) at the University of Göttingen and the Kunstverein Göttingen present in cooperation as part of the “Art from Collections” series:
TRANSHUMAN N°3
Michael Schmid
Support for Speakers
Vernissage
Saturday, 11 July 5 pm
opened till 8 pm
(No admission fee)
Duration
12 Jul – 23 Aug 2026
Tue – Fri 4 pm – 6 pm
Sat + Sun 11 am – 4 pm
Location
Künstlerhaus Göttingen (1. floor)
Gotmarstraße 1
37073 Göttingen
Germany
Admission Fee:
€ 3,00 / € 1,50 (reduced)
Free admission for guests aged 18 and under
Free admission with a Kultur Ticket
Free admission to exhibition Vernissages and Finissages
INTRODUCTION
Building on his artistic research at various locations across the University of Göttingen, the artist Michael Schmid has been developing a body of work since 2022 that explores the material, structural and aesthetic forms of carrying, storing and conveying knowledge. He is doing so in response to an invitation from the Göttingen Chair in the Materiality of Knowledge, headed by Prof. Dr Margarete Vöhringer and Dr Jana August.
The resulting photographic and sculptural works are now being brought together for the first time in a solo exhibition at the Künstlerhaus Göttingen. Photographs, objects and installation elements explore the conditions under which knowledge, images and meanings are made visible, stored and passed on. The entire project thus culminates in close collaboration between the artist, the team at the Chair and the team at the Kunstverein Göttingen. We are delighted about this collaboration and would like to extend our special thanks to Prof. Vöhringer and Dr August for their initiative in bringing about this collaborative project.
PROGRAMME
Sat 11 July from 5 pm
Vernissage
Welcome speeches and an introduction to the exhibition by Dr Jana August (University of Göttingen, concept and project management), Helmut Wenzel (Managing Director, KVG) and Stephan Klee (Artistic Director, KVG)
The artist and the curators will be in attendance
Open until 8 pm; admission is free
Sun 2 Aug | Sun 16 Aug
each at 3 pm
Sunday–Tour with Joos Ziegler and Stephan Klee
Sat 22 Aug at 5 pm
Paneltalk about the Exhibition
With Michael Schmid, Dr. Jana August and Stephan Klee
Sun 23 Aug from 3 pm
Finissage
opened till 5 pm incl.
3 pm
Guided Tour
“Walk and Talk” – through the exhibition with curator Stephan Klee, in German and English
4 om
Closure
(No admission fee)
Event images:
Michael Schmid, without title (Mathematisches Institut, Bunsenstraße) 2022/2026, inkjet print, 25×20 cm, VG Bildkunst Bonn | Courtesy of the artist
-
- Michael Schmid, Kunsthistorische Sammlung Georg-August-Universität Göttingen, 2022, digital photograph, VG Bildkunst Bonn
-
- Michael Schmid “Core Rope Memory” (Rechnermuseum der GWDG), 2022, Digitalfotografie, VG Bildkunst Bonn
-
- Michael Schmid, Kunsthistorische Sammlung Georg-August-Universität Göttingen, 2022, digital photograph, VG Bildkunst Bonn
-
- Michael Schmid, Kunsthistorische Sammlung Georg-August-Universität Göttingen, 2022, digital photograph, VG Bildkunst Bonn
-
- Michael Schmid, Kunsthistorische Sammlung Georg-August-Universität Göttingen, 2022, digital photograph, VG Bildkunst Bonn
-
- Michael Schmid, Kunsthistorische Sammlung Georg-August-Universität Göttingen, 2022, digital photograph, VG Bildkunst Bonn
-
- Michael Schmid “Enis House”, Textile Blocks, Los Angeles, 2023, Digitalfotografie, VG Bildkunst Bonn
ABOUT THE ARTIST
Michael Schmid is an artist with an emphasis on photography. He trained at the Academy of Graphic Arts and Book Design under Prof. Beate Gütschow and at the University of the Arts Bremen under the teachers duo Prof. Korpys/Löffler. It was in this class that he obtained his diploma in 2013 and his master’s degree in 2014. Schmid’s reduced, focused photographs and objects are based on the forms and surfaces of objects – mostly familiar ones – from our everyday surroundings in Western societies. Through the conceptual use of a wide and innovative range of image-processing techniques, the artist reveals aspects of images and objects – and their everyday originals – that would otherwise easily have been overlooked. Through these often subtle and subversive shifts and clustering of our gaze, he not only opens up new ways of looking at the original objects and structures behind the images, but also clearly challenges the very notion of what an image is, or can be, within the exhibition space. Indeed, one might even derive the following question: How is our everyday reality actually constituted?
Michael Schmid’s work has been exhibited in numerous solo and group exhibitions, including at the Museum Weserburg in Bremen, the Michal Horbach Foundation in Cologne and his own gallery, K’in, in Bremen. His work has been supported by various grants and funding schemes, including the USA Project Grant (Senat für Kultur, Bremen, 2019), the DAAD scholarship for Los Angeles, USA (2018) and the catalogue grant from the Senator for Culture, Bremen (Ministerium für Wissenschaft und Kultur, Niedersachsen), 2016. Project grant, Waldemar Koch Foundation, Bremen. In 2015, he received the Bremer Förderpreis (Bremen Supporting Prize) from the Städtische Galerie, Bremen.
The artist was born in Langenau in 1981; he now lives and works in Berlin.
more informationen >> schmidmichael.com/
THE ANNUAL PROGRAMME
TRANSHUMAN (2026)
>POSTHUMAN (2027)
The Kunstverein Göttingen continues to follow the proven two-year biennial programme rhythm in order to enable the most in-depth examination possible of the programme’s overarching themes. After TERRA DIASPORA (2024–2025) explored contemporary phenomena, our current programme looks to the near and distant future.
The two-year programme TRANSHUMAN >POSTHUMAN (2026 > 2027) takes a critical look at the global transformation anticipated by some schools of thought: the transition from the anthropocentric humans of our time to the technically optimised transhumans of the near future and, even further into the future of our species, to posthumans. In short: the development of humanity from modern humanism to transhumanism to posthumanism.
The basic theme for the first year is TRANSHUMAN (2026) and includes four solo exhibitions and one group exhibition, bringing together artistic approaches and works to form a collection of perspectives and aspects of transhumanism. The formal and thematic basis of all exhibitions is the artistic exploration of the acceleration of technological development and capitalist growth, and the desired biotechnological optimisation of the human body and mind. The resulting social upheavals are already taking place in many ways in our present, with drastic consequences for coexistence within the span of a generation. These acute experiences flow into the visions of the approaching future and into the collective critical reflection of both the artists and our audience. With this in mind, a wide-ranging discourse and education programme is offered. We also aim to publish the annual programme again. The ideology of transhumanism should not be propagated uncritically, but rather deconstructed as critically as possible, collectively and on the basis of the works on display. We cordially invite all interested parties to join us.
We would like to thank our sponsors: Universität Göttingen, Niedersächsisches Ministerium für Wissenschaft und Kultur, Stadt Göttingen, Sparkasse Göttingen And Landschaftsverband Südniedersachsen e.V.

Datum
11. Juli (Samstag) - 23. August (Sonntag)
Veranstaltungsort
Künstlerhaus Göttingen / Post Stephan
Gotmarstraße 1
Öffnungszeiten
Tuesday – Friday 4 pm – 6 pm
Saturday + Sunday 11 am – 4 pm
